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Matt Hubbs

Boesman and Lena

March 12, 2019

The production of "Boesman and Lena" at The Pershing Square Signature Center directed with attention to every detail by Yaël Farber is stark and unforgiving in a way that would have been shocking in 1970.  Even though apartheid has been lifted, this play still resonates with its bleak display of human survival in the face of unimaginable terrors and its condemnation of racial inequity. [more]

The Royale

March 27, 2016

The staging is unusual in that no punches are thrown. When the actors are supposed to be delivering their blows, they stamp their feet which is actually more sinister and startling. The cast clap in unison to punctuate various dramatic moments. The ringside bell is live, delineating each of the six scenes, in Matt Hubbs’ sound design. During the fight scenes, the boxers face the audience and we hear what they are thinking moment by moment, rather than see their punches. Nick Vaughan’s set doubles beautifully as gym, boxing ring and locker room. During the first boxing match, ropes on a frame are moved around to give the audience different views of the ring. Austin R. Smith’s subtle lighting helps direct attention to the right spot throughout the play. All of this leads to a remarkable and memorable evening in the theater. [more]

City Of

February 10, 2015

Unlike Strindberg’s "Dream Play," it is not always possible tell what is real and what is dreamed from what the main characters say. Aside from the ghosts and the painting that comes to life, the additional characters (played by two actors) including a gargoyle on the top of the Cathedral of Notre Dame who has fallen in love with a pigeon, the Green Fairy that is the essence of Absinthe, the ghost of Dash’s mother, and a talking sewer rat. Along with the story of the horny curator of the Musée de l’Homme (an actual but obscure tourist site), it often feels like there are too many stories and quests going on at the same time - unless the point is that for the author Paris is a city of journeys. With much of the dialogue in poetry, "City Of" is often too precious for its own good. [more]