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Marika Kent

Perp

April 2, 2019

Alexandro and Ben-Victor as the soul-stained detectives are excellently cast, playing off each other without a single misstep. The gender-blind casting of Alexandro as Jack is especially funny when she gets to deliver the hilarious line “I got a hard on a mile long” without blinking. Grant is brilliant as the soulful felon Myron, locked away for an unknown crime but brimming with goodness. Molina is spot-on as the creepy, anguished killer looking for love and redemption. [more]

Ariel Rivka Dance: 10th Anniversary Season

September 12, 2017

Ms. Grossman tended toward overuse repetition of movements and arm gestures. Emotional states were supported by little else than the titles and her husband’s gemlike scores. “No Words,” to a score composed and played by Mr. Homan, opened the program. His music sounded like an anguished string quartet to which she made an honest stab at using gesture and arrangement of the eight dancers to express the anger and loss in a poem, “Fury: In Praise of Stone,” by Janet R. Kirchheimer and Jaclyn Piudik, which was printed in the program. [more]

Public Enemy

October 16, 2016

Ibsen’s "An Enemy of the People" is a classic of modern drama but at times it can seem musty in a poor translation. David Harrower’s "Public Enemy" is not only a shrewd, accessible adaptation, it also makes clear the contemporary relevance of the dangers of the herd instinct in a seemingly just society. The Pearl Theatre Company production is a must-see for all good citizens, particularly in these perilous times. [more]

Ariel Rivka Dance’s Ninth Season Festival

May 28, 2016

Ms. Grossman’s three works were all world premieres: “Hallelujah Eva” to the famous Leonard Cohen song, “Beatrice’s Rainbow” to the Yip Harburg/Harold Arlen classic “Over the Rainbow,” and “Variations on a Box” to music by Ms. Grossman’s husband David Homan (who also did the beautiful arrangements of the first two works). Each was a study in relationships and community. [more]