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Maria Mileaf

Summer Shorts 2019: 13th Annual Festival of New American Short Plays: Series A

August 3, 2019

Series A of this year’s Summer Shorts: 13th Festival of New American Short Plays is unified around the theme of death and dying and how it affects the living. Lest you think that this sounds morbid, the three provocative one-act plays that make up this first program are so beautifully handled that this is a superior theatrical evening in three totally different styles. Unlike many evenings of one acts, the productions of all three are worth of your attention and could not be bettered. [more]

Feeding the Dragon

April 8, 2018

Under the assured direction of Maria Mileaf in a production which started at the Hartford Stage earlier this year, Sharon Washington is a captivating and entertaining presence both as she narrates her story and also gives commentary and hints of her life since then. Told with the innocence of childhood, "Feeding the Dragon" will also enchant readers and nostalgia buffs alike, for the world that she describes does not exist anymore now that libraries are high tech places ruled by computers and other media – and without apartments for a live-in staff at the top of the building. [more]

Summer Shorts 2017: Festival of New American Short Plays – Series A

August 2, 2017

"Acolyte" by Graham Moore, Academy Award winner for his 2013 screenplay for "The Imitation Game," is a more substantial play than the other two. Based on an historical occurrence in 1954, it brings together two couples, Ayn Rand (founder of Objectivism) and her husband Frank O’Connor and her follower, Nathaniel Branden and his wife Barbara, for one of her weekly dinner parties. Rand has asked the Brandens to remain after all the guests have left following a vigorous debate on Aristotelean principles versus Platonic realism. [more]

Summer Shorts 2016 – Series A

August 1, 2016

As might be expected LaBute’s new one act, "After the Wedding," contains a shocker. However, when it arrives in Maria Mileaf’s production, it is so matter-of-fact that it has little or no impact. Elizabeth Masucci and Frank Harts play a married couple of six years. Named simply “Him” and “Her,” they alternate telling (different) versions of their years together without interacting. However, both of them recall an event that occurred on their way to their honeymoon which should have been a game-changer. For these self-absorbed people millennials, it was simply another incident along the way. Sitting in chairs facing the audience, Masucci and Harts are rather charming as the amoral couple but the play seems like a scene from a longer play not yet written. [more]