Maria del Mar Bonet

The ten solos proceeded efficiently and smoothly with certain similarities becoming apparent: black was the color of all but one of the costumes and black was the mood of most the works. Crouches were the preferred opening poses, beginning with “Convergent Unease” by Alexis Julian to music by Max Richter, and the movement palettes were not particularly original, even when well danced, as were most of the solos. [more]