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Manoel Felciano

The Secret Life of Bees

June 27, 2019

Nottage’s book is faithful to the novel while at the same time reducing some of the melodrama and streamlining the story to reduce the number of characters to a cast of 13. Sheik’s score may be his most lush and melodic and the use of guitar and cello gives the music an appropriate folk feeling. The songs are a mix of gospel, R&B and pop which gives each of the main characters a song that explains their deepest thoughts. The rousing gospel numbers, “River of Melting Sun,” “Tek a Hol a My Soul” “Hold This House Together, “Our Lady of Chains,” make use of a great many beautiful voices in unison. [more]

The Changeling

January 13, 2016

The interpretations are also open to question. Although she should be demure before her sexual awakening, Sara Topham plays Beatrice as experienced and sophisticated which allows her nowhere to take her character. While the beauty and the beast theme is much in evidence, Manoel Felciano’s make-up as the ugly De Flores fails to make him the monstrous embodiment of the play’s description. Christian Coulson’s Alsemero is described by his friend Jasperino as asexual and he seems to have taken this as the basis for his character. As a result he is extremely bland, as is John Skelley’s Alonzo, so that we never see what Beatrice is supposed to see in these men. [more]

Sweeney Todd

November 28, 2005

Doyle's innovative approach dispenses with set changes while placing the action in a black and white arena that suggests a dreary psychiatric ward. The story begins with a terrified young man in a straitjacket surrounded by people in white robes. As he sings the musical's opening words "Attend the tale of Sweeny Todd," we are summoned into his disturbing world. There is no turning back. The effect was as if someone had snapped a whip and commanded our attention. [more]