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Maggie Hoffman

Measure for Measure (Elevator Repair Service)

October 21, 2017

Director John Collins, founder of ERS, has set the play in an office or conference room with three long tables (in Jim Findlay’s design which eventually grows tiresome)  and a great many stick telephones by which the characters often call each other to relay Shakespeare’s lines as if they are working from their offices. The walls of the set become screens for the text to scroll upwards through most of the play; at time we even see it five ways including the ceiling and with four panels in the back as well as on the back wall. Whether this is to remind us that this is a play of language, it is usually distracting and not very revealing. Often the actors speak so fast that it impossible to follow them and then in a brilliant coup de theatre one scene (that between brother and sister Claudio and Isabella) is spoken so slowly that it seems to reveal hidden meanings not noticeable before. [more]

Quantum Joy

December 7, 2015

Victor Morales enters and introduces himself and notes that we are at Dixon Place. Mr. Morales who created this piece is stocky, bald, bespectacled, and possessed of a quirky everyman presence. For just under an hour, he delivers an amusing lecture with serious overtones enhanced by the illustrative projections. [more]