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Mad About the Boy

A Few Thoughts on Those Needless Changes to “The Music Man”

February 21, 2022

I want to be clear.  "The Music Man" is such a masterfully written musical that making some changes here and there can’t really ruin it; but changes are not needed in this show and they certainly don’t help.   I believe in the old saying: “If it ain’t broke, don’t fix it!” I also believe, as Tommy Tune once told me years ago in discussing a different show, many producers and directors feel a need to tinker with shows, making changes for the sake of making changes, even when the wiser choice would be to simply leave things alone. There’s just that desire to  “improve” things, whether or not the changes actually improve anything. [more]

ON THE TOWN…. with CHIP DEFFAA , November 8, 2017

November 11, 2017

Memo to Broadway producers: You need to do everything you can to hook the next generation while they're young. I got hooked on theater because I saw the greatest performers, the greatest shows, from when I was very young. It would be very hard for a young person of today to see as much great theater as I did, growing up. When they read about some tickets going for a thousand bucks apiece, they might well conclude that theater isn't meant to be for them, but mostly for rich older folk. I have some friends who work in the theater who say they can't afford to take their families to shows. And that worries me. [more]

Mad About the Boy

April 23, 2015

Defaa’s direction is imaginative and is aided by the sensational choreography of Rayna Hirt, in creating precise, amazingly arresting production numbers with the large cast on the small stage. Standouts include a rousing military tap dance, Cole Porter’s “Find Me a Primitive Man,” with cast members dressed as cavemen, and a thrilling version of Noel Coward’s “Mad About The Boy,” with cast members wearing all black. [more]