Lorca Peress

The play is both satiric and trenchant. The conversations of the men are laced with profanity much like David Mamet’s real estate men in Glengarry Glen Ross. Eliza is called everything in the book (arrogant, aggressive, disrespectful, impatient, a loose cannon) as well as names you can’t print in a family newspaper. Eventually it rubs off on Eliza and Janice and they are cursing as crudely as the men: if you can’t beat them at their own game, then join them. The men’s fear of the women getting ahead would be pathetic if it weren’t so typical and true. Rebeck dramatizes office politics as each member of the staff worries about his or her own skin, either with lies, evasions or manipulation, and the circle keeps widening, until Eliza beats them at their own game. [more]