Layla Khoshnoudi Archives - TheaterScene.net

Layla Khoshnoudi

7 Minutes

March 31, 2022

Given one hour to decide and vote, the union committee must come to a decision in real time. On one level the play is very much like Reginald Rose’s "12 Angry Men" in which a group of disparate people must also make a life or death decision. However, unlike that play, the characters in "7 Minutes" are not clearly delineated so that we do not know where many of them stand or who they are. While the production directed by Mei Ann Teo is absorbing for most of its running time placing us in the room where it happens, her staging having the actors move about a great deal makes it difficult to keep most of the 11 women separate from each other. Unlike "12 Angry Men," "7 Minutes" does not offer a great many arguments for and against to warrant its running time, mainly getting into personalities. [more]

The Collision / The Martyrdom

January 30, 2022

Throughout these plays there resonates an overarching message of female empowerment, a message that provides depth to the otherwise light comedy being served up. Nuns are habit forming, that’s what people say, and this viewer wanted nothing more than to run back and see this show again. [more]

Tumacho

March 5, 2020

To review dramatist/lyricist/composer Ethan Lipton's "Tumacho" almost feels like missing the point of this endearingly oddball "play with songs," a comic pastiche of Western and horror tropes that is essentially the theatrical equivalent of an old Hollywood B-movie. Its major goal is to shamelessly please the audience, something it largely achieves through top-notch performances and an abiding strangeness, if not necessarily a consistent quality of jokes or characterizations or plotting. Obviously, all of the latter should matter, but the fact that it doesn't only attests to the show's bizarre charm. [more]

Men on Boats

August 2, 2016

In this swashbuckling comedic play, 'Men on Boats" takes an innovative approach by casting ten women in the roles of the first “white” discovers of the Grand Canyon. However, this was not a nod to the current trend of casting cisgender or transgender actors. The use of “on boats,” instead of “in boats,” indicates the state of being in which the actresses find themselves — a history panorama where gender and race play little part. [more]