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Lawrence E. Moten III

Stew

February 16, 2020

In making her professional stage debut courtesy of Page 73, Zora Howard has written a powerful kitchen sink drama in 'Stew," as much about making a literal stew as about the emotional stew the four women in the Tucker family of Mt. Vernon find themselves in. While many of the elements are family, Howard combines them in new ways so that the play seems both new and true. With a terrific cast headed by Portia ("The Rose Tattoo," "Ruined," "Rinse Repeat," "Our Lady of 121st Street") as the family matriarch, director Colette Robert keeps the temperature continually simmering on a low boil until all of the secrets and events have been revealed. This is an American tragedy as well as a study in how we live in this era. [more]

How to Load a Musket

January 25, 2020

An essay more than a play, with players as opposed to characters, "How to Load a Musket" is a racist diatribe that fails to make its points coherently. The costumes and appointments on the walls of a black box space say all that there is to say in a play that ultimately leaves one wanting for more. The scenic design by Lawrence E. Moten III is the show’s best asset. [more]

The White Chip

October 21, 2019

Written by Sean Daniels, "The White Chip" is reportedly an autobiographical play, directed with an earnest finesse by Sheryl Kaller who sometimes has difficulty keeping her three different performers in character, in terms of whom they represent. If one has difficulty following the many tangents, Kaller has to be held principally responsible for that. [more]