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Laurie Woolery

Manahatta

December 14, 2023

Mary Kathryn Nagle’s "Manahatta" now at The Public Theater, just blocks from where most of the story takes place, is a fascinating combination of American history and recent events. Nagle who is a Native American has written a play that combines the Dutch purchase of the island of Manhattan in 1626 from the Delaware Lenapes with the Wall Street home-mortgage crisis of 2008 where many disenfranchised people lost their homes. She also includes the contemporary Lenape community living today in Anadarko, Oklahoma, after they had been evicted from their Texas reservation. While the three time-frames of the play run concurrently, they all come together in a devastating ending that indicts the capitalist system as well as how Native Americans have been treated in this country. [more]

The Tempest (Public Works)

August 31, 2023

Visually, the show is not as effective as it might have been considering the play usually includes a great deal of magic. Here there is very little in the way of scenic illusions or legerdemain. Alexis Distler’s setting which makes use of some elements of the design for Hamlet, the previous staging on the Delacorte stage, a falling down mansion seemingly off its foundation, adds little to the production’s visuals. Except for the stunning harpy costume for Ariel by Wilberth Gonzalez, the rest of the designs are more than bland. The all-black leather creations for the Europeans give the production a contemporary look that feels out of place. The dozens of community partners dressed in matching blue and yellow outfits have been given little to do besides stand around as witnesses or hum to the large-scale musical numbers. [more]

As You Like It (Public Works)

September 3, 2022

Public Works’ musical adaptation of "As You Like It" is an enchanting evening of summer fun under the stars. Trimmed to a long one act, the story is accessible for both those who know the Shakespearean original and those who don’t. The score is always easy on the ears and has many crowd pleasers. The huge cast led by Rebecca Naomi Jones as Rosalind and including non-professional community partners is totally comfortable with the Elizabethan language and the contemporary score by Shaina Taub. With this show, Shakespeare in the Park has a real winner. [more]