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Kyle Porter

The Exes

August 25, 2019

Lenore Skomal’s "The Exes" wants to revive the Broadway-style sex comedies of the 1950’s and 60’s, earlier called boulevard comedy. Unfortunately, not only is the formula passé but television sit-com now does it better. The play is also too heavily plotted with two main characters with the same name and a great many petulant, entitled people. Worse still, the play fails to deliver any witty or clever lines, instead giving us quotes and references from much better works without much point. Directed by Magda S. Nyiri, "The Exes" has at least two false endings before it comes to an unearned conclusion. [more]

Friendly’s Fire

May 8, 2019

Viewing the abstract configuration onstage that could be from a Whitney Biennial before "Friendly's Fire" begins instantly informs us we’ll be in a fantasyland. Indeed, playwright John Patrick Bray offers a surrealistic odyssey fusing together the dreams and battlefield memories of a disaffected Gulf War veteran with aspects of Hollywood Westerns and other pop culture genres. Mr. Bray’s writing is intense, often striving for absurdist comedy, and has a great sense of purpose. It’s all rather baffling, somewhat interesting and mildly entertaining. [more]