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Keiko Voltaire

Ronald K. Brown/EVIDENCE: Winter 2023-24 Season

January 19, 2024

Ronald K. Brown/EVIDENCE, the Brooklyn-based dance company founded in 1985 is back at the Joyce Theater presenting two works by Brown showing off the exuberance, sensuality and technical brilliance of its eight dancers plus one guest artist. “Walking Out the Dark” (2001) was the more substantial work.  Using only four dancers—until the very end when company associate artistic director Arcell Cabuag performed a peculiarly out-of-place solo—Brown began in a quietly intense mood, gradually lightening up by the end of this uneven, but well-meaning 50-minute work. [more]

Parsons Dance Company 2018

May 22, 2018

The new work, “Microburst,” was a quartet performed to classical Indian music composed and played live by Avirodh Sharma.  Brilliant and audacious, “Microburst” took the four dancers, all wearing black, fringed outfits—by Barbara Erin Delo— through complex rhythmic patterns that magically fit together as if the four were having a hyperkinetic conversation with their feet.  The agility of the four dancers—Geena Pacareu, Eoghan Dillon, Zoey Anderson and Justus Whitfield—was breathtaking and entertaining. [more]

Ariel Rivka Dance: 10th Anniversary Season

September 12, 2017

Ms. Grossman tended toward overuse repetition of movements and arm gestures. Emotional states were supported by little else than the titles and her husband’s gemlike scores. “No Words,” to a score composed and played by Mr. Homan, opened the program. His music sounded like an anguished string quartet to which she made an honest stab at using gesture and arrangement of the eight dancers to express the anger and loss in a poem, “Fury: In Praise of Stone,” by Janet R. Kirchheimer and Jaclyn Piudik, which was printed in the program. [more]

Limón Dance Company: Spring 2017 Season

May 16, 2017

“Corvidae,” Colin Connor’s contribution to the program, was staged to the relentless first movement of a Philip Glass Violin Concerto. The title refers to the scientific name of the family of crows and ravens. The six dancers, stylishly dressed in all black outfits by Connor and Keiko Voltaire and moodily lit by DK Kroth, wandered about stylishly, but aimlessly, suddenly bursting into movement, softly leaping, arms held in wing-like positions. The heads of stationary dancers were held high in ornithological awareness as the rest of the cast softly cut through the air in balletic, sweeping steps. The overall mood was dark and sexy. [more]