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Kate McGee

Fern Hill

September 20, 2019

Tucker’s dialogue is breezy and amusing, and it’s fun to see these talented actors—all mainstays of the New York stage—being playful together. Together, they make interesting stuff out of the material they’ve been given, and they are all highly watchable. But would the play seem more fulfilling and important if there were more fully developed personal and interpersonal conflicts? [more]

Original Sound

May 10, 2019

The eternal heartbreak of show business is given a fresh spin in playwright Adam Seidel’s exhilarating contemporary drama, "Original Sound" that skewers the music industry. Mr. Seidel’s scenario has many familiar elements, but the writing is impeccable, the performances are superior, and it's electrically presented. [more]

Salome

October 15, 2018

This M-34 production, under Rutherford’s direction, doesn’t rise to stratospheric heights.  Quite the opposite:  Rutherford’s direction and writing turns Salome into a fascinating domestic comedy/drama, an interesting interpretation, even a witty interpretation, but one that avoids piercing the audience’s minds.  He keeps the actors watchable with an in-your-face directing style.  Earnest and energetic as it is, he never squeezes fresh revelations from the text. [more]

Scraps

August 31, 2018

This production is presented by The Flea and the cast is drawn from their resident acting company, The Bats. Exhibiting heartbreaking resilience Alana Raquel Bowers as Aisha dominates the play. The captivating Tanyamaria is very funny yet conveys Adriana’s melancholy. With his lithe physique, sunniness and serene presence Michael Oloyede’s performance as Calvin is commanding. Roland Lane’s charisma and animation enrich his portrayal of the difficult role of Jean-Baptiste. [more]

A Hunger Artist

June 16, 2017

"A Hunger Artist" takes morbid subject matter and turns it into a metaphorical look at obsession and human suffering.  By focusing on one hunger artist, Luxenberg and Levin manage to make a universal statement that leaves the audience bereft, images of unbelievable suffering lingering long after leaving the theater. [more]