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Kai Harada

Evita

November 18, 2019

Solea Pfeiffer in a scene from New York City Center’s revival of “Evita” (Photo credit: Joan [more]

Soft Power

October 29, 2019

Hillary Clinton wearing a glittery red pantsuit leading a Gene Kelly/Stanley Donen-style production number set in a Busby Berkeleyesque recreation of a McDonald’s with giant sparkling French fries is a highlight of the insipid and disjointed musical fantasia, "Soft Power." It’s just one of its many lame sequences including a "The Music Man"-type explanation of the U.S. electoral system led by a singing and dancing judge. We’re in for two hours of painfully unfunny self-indulgence. Holden Caulfield from "The Catcher in the Rye" pops up too. [more]

Head Over Heels

August 9, 2018

Under Michael Mayer’s fast-paced direction, "Head Over Heels" starts badly and busily but eventually slows down to a delightful Elizabethan parody on love and gender. While not all of The Go-Go’s songs are suitable for the storyline and the period, enough of them fit perfectly to make this a superior light entertainment. The cast is first rate and may make stars of the ingenious Andrew Durand and the classy and stylish Peppermint. Aside from introducing The Go-Go’s song catalog to Broadway, "Head Over Heels" covers a great many firsts of all kinds. [more]

Grand Hotel, The Musical

March 25, 2018

“We'll Take a Glass Together” is an exhilarating production number. Brandon Uranowitz’s animated youthfulness is up to the task of equaling the impact of Michael Jeter’s legendary turn in the original production as the dying bookkeeper enjoying a carefree spree.  Mr. Uranowitz’s limber movements are thrilling as he euphorically undulates up and down flanked by a large gold dance barre carried by the terrific ensemble. [more]

Love, Love, Love

November 5, 2016

British actor Richard Armitage making his New York stage debut and Tony and Academy Award nominee Amy Ryan work hard to make Kenneth and Sandra three-dimensional, likeable people, but, as written by Mr. Bartlett, their crassness is the fatal flaw in "Love, Love, Love." Why should we enjoy spending so much time with two people who so adroitly care only for themselves? [more]

Gigi the Musical

April 21, 2015

Though this sophisticated story was intended for equally sophisticated adults as part of the mores and manners of a society and culture gone with the wind, the stylish and colorful Broadway revival has solved all these problems with Heidi ("Call the Midwife," "Cranford," "Upstairs Downstairs") Thomas’ new adaptation of the Alan Jay Lerner book and the casting of Disney heroine Vanessa Hudgens in the title role. Gigi is now over 18 and Gaston is in his 20’s, which puts a decidedly different complexion on things. “Thank Heaven for Little Girls” is now sung by Gigi’s grandmother Mamita and her Aunt Alicia. All decidedly right and proper and the word courtesan (which is what this is about) is never once mentioned. Sex is never even an issue. Here love is simply a game. So what are we left with? [more]