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Joyce Liao

Prince Charming, You’re Late

July 5, 2022

If you ever lived through the angst of an unrequited love, a romance impossible for one reason or another, then Billy Hipkins’ "Prince Charming, You’re Late" will hit the spot.  Directed by Perry Dell’Aquila, the monologue flows smoothly and movingly. Hipkins, a forty-something gay man with a gentle, softly sardonic nature, fell for a much younger actor in a Broadway show where he was employed as a dresser. Unfortunately, this was a job that put him up close and personal with the object of his frustrated affections.  Hipkins’ description of this unattainable young man is both heartbreaking and heartwarming, a vision of unattainable perfection in every way. [more]

Panama Hattie

October 29, 2019

While the original production had a great many one-of-a-kind stars supporting Merman, one of the distinctions of the York production is its cast: Montel has been able to obtain the services of Klea Blackhurst for Hattie Maloney, the Ethel Merman role. Blackhurst, you may know, has specialized in Merman for years including her tribute show "Everything  the Traffic Will Allow" as well as appearing in the Merman roles in revivals of "Anything Goes," "Red, Hot and Blue," "Call Me Madam" and The York’s staging of "Happy Hunting." Montel has also surrounded her with seasoned theater veterans including Stephen Bogardus, Simon Jones, Gordon Stanley and David Green. The members of the singing and dancing chorus are equally talented. [more]

Someone Who’ll Watch Over Me

November 20, 2018

As Michael, the soulful and animated Michael Broadhurst enthralls as he rhapsodizes about his deceased wife, philosophically opines and stalwartly copes. Jonathan Judge-Russo has shattering moments as Edward as he volcanically comes undone while otherwise exhibiting quiet force throughout. With his boyish twang and haunted eyes, Leif Steinert’s Adam is thoroughly charming. Separately and together, each of them achieves the right balance of comedy and pathos that the piece requires. [more]

Party Face

January 31, 2018

The best reason to see Isobel Mahon’s "Party Face" is to see the ever-lovely Hayley Mills who used to play mischievous teens and now is playing busy-body mothers. The play is diverting though it has nothing new to say about women and their contemporary roles. Under Amanda Bearse’s direction, the play also gives Klea Blackhurst another off-beat comic role in which she shines.  [more]