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John Quilty

Charlie’s Waiting

April 10, 2019

Ludovica Villar-Hauser, the play’s keen eyed and eared director (and artistic director of Parity Productions the company responsible for this presentation), paces the fine actors for the ultimate tension, making the most of every innuendo. All three actors portray their characters with subtlety, their eyes revealing as much as their voices, carefully avoiding sliding into what might have been melodrama. [more]

Drop Dead Perfect

August 29, 2015

Everett Quinton has found the ideal vehicle in the hilarious "Drop Dead Perfect" to revive the style of the Ridiculous Theatrical Company for which he originally found fame. Like the plays of the late Charles Ludlam plays, Erasmus Fenn’s Drop Dead Perfect parodies a specific genre using movie and television quotes and characters, situations lifted from famous melodramas, and sexual puns placed in new contexts. Here the new play is a satire of 1940’s and 50’s Bette Davis and Joan Crawford melodramas, with dollops of I Love Lucy which allows Quinton do sparkle as a Southern heiress with many scores to settle. Director Joe Brancato manages to keep the melodrama believable at all times and none of the quartet of actors goes beyond the histrionics inherent in the plot. [more]

The Brightness of Heaven

October 27, 2014

"Almost all the families I knew were struggling to find their way forward and make sense of a way of life that was unraveling before their eyes," writes Ms. Pedersen in her author's note in the program. She has a laundry list of period-piece social issues that are superficially covered including abortion, pre-marital sex, the economy, interfaith marriage, homosexuality, Watergate, and The Vietnam War. The writing is often sharp and well observed, with zingers and jokes that effectively register. "If Irish Dementia is only remembering the grudges, than Irish Amnesia is only forgetting the food." "Excuse me, but is this twentieth century Buffalo or fifteenth century Barcelona?" [more]