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Jessie Shelton

Conflict

June 30, 2018

With Miles Malleson’s 1925 "Conflict," being given its New York premiere, the Mint has uncovered a brilliant political and social drama which has tremendous relevance for today with its dissection of conservative and liberal points of view. It resembles Shaw and Tom Stoppard in its debate of ideas and Galsworthy and Arthur Miller in its moral integrity. Superbly directed by Jenn Thompson ("Women Without Men") with a crackerjack cast, this is not only one of the Mint’s best offerings, it is also the most satisfying play in town. Framed as both a thriller and a romantic comedy, Conflict is absorbing and exciting theater throughout, the sort of play that has you hanging on every word to see which way it will go. [more]

Dinner with Georgette

March 30, 2018

Michel Foucault and Walt Whitman are quoted offstage at the beginning of "Dinner With Georgette." It’s riddled with pretentious nonsense masquerading as profundity and this bit is a harbinger of what’s to come. The playwright, Obie award-winning theater artist and Brown University alumnus Rick Burkhardt piles on academic inanities for one hour and 40 minutes in this leaden saga.  The abrasive dialogue has the characters refer to themselves in the third person and comment on the actions, addressing the audience directly. [more]

Cruel Intentions: The Musical

December 28, 2017

As "Rock of Ages" did for the 1980’s, "Cruel Intentions: The Musical" does for the 1990’s. This is a carefree entertainment accompanied by the revelry incited by a two-item minimum in a nightclub. For many audience members, the Proustian pleasure of experiencing songs that they fondly recall shoehorned into the plot from a minor movie they might remember will suffice.  It’s decidedly not an event for musical theater connoisseurs. [more]

The Black Crook

September 25, 2016

The creators of this version combined songs from the period—several probably used in the original production—with a pared-down version of the second-rate melodrama written with by Charles Barras (portrayed as always rattled and put upon by Steven Rattazzi), who tells his side of the story while also playing the romantic lead, Roldolphe, in the actual "Black Crook." [more]