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Jeanine Tesori

Fun Home

May 3, 2015

Inside this less-than-"Fun Home" of deception and repression is an exceedingly endearing and relatable cast of characters. Sydney Lucas, Emily Skeggs, and Beth Malone star as Small, Middle, and Adult Alisons, respectively; while their individual mannerisms and inflections may not depict a consistent character, their passionate performances work well enough together to amount to a moving “portrait of the cartoonist as a young woman” (or what have you). Stage and screen veteran Judy Kuhn likewise shines—or, more appropriately, fades—as the Alisons’ defeated mother Helen. As her former Disney princess voice glides across a broken ballad, Kuhn shows the anguish of a wife with nothing left to sing about. Perhaps most notably, Michael Cerveris’ heartbreaking portrait of Bruce is both authoritative and impotent, loveable and despicable. [more]

Violet

May 2, 2014

An interesting and touching early musical from the composer of "Shrek," "Caroline, or Change," and "Fun Home." It may be in keeping with the notional scar, but sometimes "minimalist" fades into "generic." An inherent problem with the show, it's possible that even a small Broadway house like this one (740 seats) will always be too big. The climactic sequence, following Violet's discouraging experience in Tulsa, takes place mostly in Violet's head and as such is almost unstagable, and in any case hard to understand. Last and most problematic is that these soldiers react relatively casually to Violet's allegedly repellent deformity. [more]

Caroline, or Change

December 10, 2004

There is a lot of anger vented through music in "Caroline, or Change,"; the nearly sung-through musical by Tony Award-winner Tony Kushner (book and lyrics) and Jeanine Tesori (music). Operatic in its aspirations and dramatic in its presentation, this unusual musical made enough friends and supporters during its successful run earlier this season Off-Broadway to justify a move to Broadway. The production fits as snugly into the Eugene O'Neill Theater as it did at the Public Theater. [more]