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Jared Grimes

On the Town with Chip Deffaa: On Fanny Brice and “Funny Girl”

June 6, 2022

I’ve often told friends what an impact "Funny Girl" had on me.  That was the show that made me fall completely, utterly, and permanently in love with Broadway. I was a teenager when I saw it—not quite 15.  I started taking  odd jobs to make some extra  money;  I stopped buying comic books;  I began skipping school lunches, too—I was trying to save every possible penny so I could  buy Broadway theater tickets. Theater became my top priority.   And as often as possible, I would go to see another Broadway show.  (Broadway was far more affordable then than it is now, and I was eager to check out everything—musicals, comedies, dramas. I could often get tickets to shows—up in the balcony--that didn’t cost much more than tickets to movies.)  "Funny Girl"—more than "My Fair Lady" or any other show I appreciated—was what got me really hooked on theater. And  I’m still grateful for that. [more]

The Tap Dance Kid

February 4, 2022

Let’s start with the best:  The great Joshua Henry’s 11 o’clock number, “William’s Song,” a gut-wrenching revelatory song sung by the title character’s emotionally distant father.  Henry endows the number with the emotional punch of “And I Am Telling You” from "Dreamgirls."  Since Henry Krieger wrote the music to both songs the striking similarity is understandable.  Of course, Tom Eyen wrote the "Dreamgirls"’ vivid lyrics and librettro; Robert Lorick wrote the words for the pleasant, plot-moving score of "The Tap Dance Kid." "The Tap Dance Kid"—book by Charles Blackwell, based on the novel "Nobody’s Family Is Going to Change" by Louise Fitzhugh—is a simple domestic tale now reset in the 1950’s, gussied up with the brilliant tap choreography of Jared Grimes and the keen, vivifying direction of Kenny Leon.  But, even under Leon’s artful hand and Grimes’ beautifully performed numbers, "The Tap Dance Kid" remains a defiantly unimaginative story. [more]