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Jack Mikesell

Summer Shorts 2019: 13th Annual Festival of New American Short Plays: Series B

August 5, 2019

Neil LaBute’s “Appomattox” is the most substantial of the three plays and deals with a topic new to his work. Two long-time friends, Frank, black, and Joe, white, are having a picnic in the park without their wives where they get to throw around a football. Joe tells Frank about a story he read in the newspaper that the freshmen at Georgetown University have decided to pay an annual reparation to the families of slaves who were sold off by the college centuries before as collateral to keep the school going. He is impressed that the $27.20 will be annually added to their tuition. For Frank, this is nothing but a symbolic gesture. He would like to see the figure sting a little for 400 years of slavery. [more]

Against the Hillside

February 8, 2018

The production is not helped by William Carden’s heavy-handed direction.  Scene transitions are punctuated by sound designer and composer Shane Rettig’s blaring, pulsing and overwhelming original electronic music. In near darkness, stage hands wearing black appear to rearrange furniture and set props.  This all becomes formulaic and distracting. Carden’s physical staging is rudimentary and the actions flow weakly. Most unnerving is that Mr. Carden has the actors speaking rapidly and being overly emphatic for much of the time and this sets an artificial tone. [more]