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J.S.Bach

BalletNext 2019

February 25, 2019

BalletNext is a company founded by Michele Wiles, former prima ballerina of American Ballet Theater. Wiles has developed a symbiotic relationship with the University of Utah where she trains professional ballet dancers who are simultaneously getting degrees in various fields. In exchange, she has bodies on which she can develop her skills as a choreographer. And she arranges public performances, giving her students real stage experience. These performances always include live musicians, which is a particular pleasure compared to so many companies that use canned music. [more]

Limón Dance Company: Spring 2017 Season

May 16, 2017

“Corvidae,” Colin Connor’s contribution to the program, was staged to the relentless first movement of a Philip Glass Violin Concerto. The title refers to the scientific name of the family of crows and ravens. The six dancers, stylishly dressed in all black outfits by Connor and Keiko Voltaire and moodily lit by DK Kroth, wandered about stylishly, but aimlessly, suddenly bursting into movement, softly leaping, arms held in wing-like positions. The heads of stationary dancers were held high in ornithological awareness as the rest of the cast softly cut through the air in balletic, sweeping steps. The overall mood was dark and sexy. [more]

Paul Taylor’s American Modern Dance 2015

April 4, 2015

What became clear over the course of the four performances under review attended were the subtle changes in Mr. Taylor’s work over the years, how his works have become less deep and more oddball. This was a terrific way to see everything from his delightfully lovely “white” ballet, “Aureole” (1962), to his most recent opus, “Death and the Damsel,” a dark, distorted—sadistic, even—view of female sexuality. No matter what period the works come from, and no matter what one thinks of them, they are always models of craftsmanship, design and musicality. [more]