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*mark (A solo performance of the Gospel of Mark)

April 17, 2023

Fortunately for us, “Magisian” Drance is quite the storyteller. Under the reasonably succinct direction of Jackie Lucid, he spryly moves around the space, emphasizing parables with chalk drawings and applying subtle changes to his inflection, body language, and eye contact to make the various characters distinct. Intense and playful, somber and jubilant, he makes this story engaging yet simple, without the help of costumes, scores, and songs which allow shows like "Godspell" and "Jesus Christ Superstar" to thrive in the contemporary theater canon. The Magis Theater Company endeavors to share this gospel as it might have been done in older times, from start to finish and on the backs of its storytellers alone. [more]

The Alcestiad

June 19, 2021

Aside from the unevenness of the acting, Drance’s production has no consistent tone, shifting from comedy to drama to tragedy and back again. Not all of his interesting ideas are carried through: the first two acts have different performers playing Admetus and Alcestis which demonstrates the shift of 12 years; however, in the third act when Alcestis should be an old woman, the same actress who played her in her prime continues in the part. While the costumes by Gian Marco Riccardo Lo Forte and Mark Tambella are serviceable they are rather bland and unprepossessing. The uncredited sound design and the original music by Sara Galassini are muddy and unclear as broadcast from the one speaker on the left side of the audience. While there is no lighting design as the play is performed in broad daylight at this time of year starting at 7 PM, by the time the play is ending it is twilight and the fading light will make it painful for some viewers. [more]