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Hugh Dancy

Apologia

October 23, 2018

Channing is by turns aggressive, assertive, jittery, neurotic, imperious, and even petulant in the first act, only to become bewildered and subdued in the second. To rewrite Dorothy Parker’s notorious put-down of Katherine Hepburn, Channing runs the gamut of emotions from A to Z in "Apologia," even as she takes us along for the ride. [more]