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Helen Cespedes

Arden/Everywhere

October 16, 2017

Signaling that we’re in for something different, Bauman has redubbed the play "Arden/Everywhere," a hint that home, and the emotional impact of losing it, is at the heart of her reimagining. Largely through design choices, but also some modest changes to the text, Bauman connects the diasporic struggles of the play’s characters to those experienced by the 65 million refugees the United Nations has identified throughout the world today, effectively arguing that, in both cases, the pain is there for anyone to see. [more]

The School for Scandal

April 30, 2016

Red Bull Theater which has specialized in Elizabethan and Jacobean tragedies has moved on to the 18th century with Marc Vietor’s exquisite and stylish revival of "The School for Scandal," Richard Brinsley Sheridan’s famous but rarely revived classic comedy of manners. With impeccable casting and a pitch-perfect production team, this School is as witty, delightful and accessible as one could wish. The 18th century look of the play is both historic and satiric. Anna Louizos’ clever settings transform one into the other with the turn of a wall or a door and a rearrangement of the furniture, highlighted by Russell H. Champa’s lighting. Her witty use of props (a chamber pot, a trunk, empty picture frames) adds to the fun. [more]

Couriers and Contrabands

September 11, 2015

Director Kareem Fahmy is also ambiguously credited as “Co-Developer.” Mr. Fahmy’s staging is purposeful when it grapples with the problematic first act and does achieve very fine work from the cast. In the second act, his direction of the action sequences are lively and the pace thankfully quickens. Scene transitions between the Montgomery house and Miss Gardner’s house are swiftly and cleverly executed. [more]