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Gareth Owen

Come From Away

March 16, 2017

The songs push the plot along, ranging from numbers about the locals’ dealing with valuable resources (“Blankets and Bedding”) to the quiet awe the visitors express at the local scenery (“Darkness and Trees”). “Somewhere in the Middle of Nowhere” and “Something’s Missing,” eloquently deal with the short-term emotional turbulence that eventually steadied to mutual admiration and many long-term friendships. [more]

Spring Awakening

October 9, 2015

Aside from its notable staging, this production is also receiving a great deal off attention for facilitating the Broadway debut of Marlee Matlin, the only deaf Academy Award-winner to date. While her role as several of the town’s adult women is not a particularly weighty one, she imbues them with her characteristic fervor. Sandra Mae Frank and Katie Boeck work well together to share the character Wendla; Boeck’s voice fluidly pairs with Frank’s signing to separate the inner turmoil and outer façade of a character whose mother refuses to listen. Likewise notable is the always-wonderful Broadway and television veteran Krysta Rodriguez, whose portrayal (both sung and signed) of Ilse, a homeless bohemian clinging to her sanity, is uniquely dark and dangerous. [more]