Foday Musa Suso

Beginning in the 1980s, Glass and Suso collaborated on several projects. Genet’s difficult, demanding, essentially un-actable and relentlessly fracturing play, "The Screens," elicited from Glass and Suso unexpectedly warm and affirming music. The setting for Genet’s play – the wretchedness of the French Algerian War – calls for music that is both European and African, but to imagine Glass’ contribution as “the European one” and Suso’s as its African opposite is to misunderstand the creative relationship. [more]