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Fellowship for Performing Arts

C.S. Lewis’ The Screwtape Letters

December 21, 2018

Some novels are more stage-worthy than others, and "C.S. Lewis’ The Screwtape Letters" is not among those that are. As adapted for the stage by Max McLean--who also directs the production with a flair for the grotesque--and Jeffrey Fiske, "C.S. Lewis’ The Screwtape Letters" is an unfortunate jumble of gibberish and gobbledygook, told at breakneck speed by Brent Harris, who is playing His Abysmal Sublimity Screwtape. [more]

Shadowlands

December 13, 2017

William Nicholson’s "Shadowlands" is one of those subtle plays that grows on you as it evolves and weaves its own spell. Based on a true story of one the most improbable love stories of the 20th century, it covers a range of human emotions that should catch you in its web. Under Christa Scott-Reed’s assured and astute direction, Daniel Gerroll gives a memorable performance as theologian and writer C.S. Lewis. A play of ideas on the meaning and varieties of faith, it is challenging as one has to follow its intellectual and spiritual arguments. However, for discriminating theatergoers, this is an added fillip for more than simple entertainment. [more]

Martin Luther on Trial

January 10, 2017

Set in The Afterlife, a crossroad between Heaven and Hell, the play presupposes a trial of Luther on the grounds of being guilty of “the unforgiveable sin.” The prosecuting attorney is The Devil and the defending attorney is Katie von Bora, also known as Mrs. Martin Luther, with Saint Peter acting as judge. The witnesses called are Hitler on Luther’s anti-Semitism in his later years, Dr. King on Luther’s stance on civil rights, Dr. Freud on Luther’s Oedipus complex, and the current Pope on the Catholic Church’s stance on Luther’s objections today. Along the way, the play also dramatized scenes from Luther’s life. Ultimately, it ends with a recreation of Luther’s trial before the Diet of Worms officiated over by the Holy Roman Emperor in 1521. [more]

The Screwtape Letters

January 19, 2016

This Grand Guignol concept is sensationally realized by the striking physical production. John Gromada’s chilling sound design configures his spooky original score with its dominant organ along with bomb blasts and other sound effects for very effective results. Cameron Anderson’s scenic design is a dazzling haunted house affair with the stage wall covered in tiny bones and skulls, a ladder and ramp for the creature to scamper on, and manor-style furnishings. Hellish red hues are prominent features of Jesse Klug’s eerie lighting design. [more]

The Great Divorce

December 11, 2015

While C.S. Lewis’ famous theological allegory, "The Great Divorce," is written as a series of conversations, you might not expect that it would be suitable for stage dramatization as a religious treatise. However, the Michael McLean and Brian Watkins adaptation for Fellowship of the Performing Arts turns this into a high provocative and theatrical evening. Under the assured direction of Bill Castellino, three extremely talented actors (Christa Scott-Reed, Joel Rainwater, and Michael Frederic) play 19 characters among them, making them distinct and fully dimensional. The remarkable projections by Jeffrey Cady and the evocative original music and sound design by John Gromada make this a treat for the ear and eye as well as the mind. [more]