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Erica Schmidt

Orpheus Descending

July 18, 2023

Among the problems with the production is the fact that there is no chemistry between Siff and Alexander. We are supposed to believe that their encounter not only brings Lady Torrance back to life but that Val falls in love for the first time. However, this is not demonstrated by their performances. Williams’ requirement that his heroine use a Southern yet Italian accent is a difficult assignment and Siff seems uncomfortable at this while her Italian accent comes and goes. More damaging still is that while we are told that Val Xavier has a positive effect on all the women who encounter him, Lady Torrance, Carol Cutrere, Vee Talbott (the Sheriff’s wife), and causing the men to be jealous, Alexander fails to exude the kind of charisma needed for this role. Not only is he too bland, he often fades into the woodwork when we should be conscious of his presence at all times. [more]

Lucy

February 14, 2023

Writer/director Erica Schmidt's "Lucy" is a play struggling to find a point of view, or perhaps a point of view struggling to find a play. If the latter is true, then that narrative position seems to be "good help is hard to find," which generally only satisfies an audience, at least the "help" part of it, when there's a "My Man Godfrey," or even "Mary Poppins," spin attached. But Schmidt apparently has adopted her position sincerely, with some topical digressions into issues like healthcare coverage and paid sick leave. Or maybe Lucy is just an exceptionally slippery satire, and I failed to grasp its profundity while wondering why the play had to last more than one scene. [more]

Cyrano

December 2, 2019

For those younger members of the audience who do not know Edmond Rostand’s classic French play, "Cyrano de Bergerac," the new musical "Cyrano" presented by The New Group at the Darryl Roth Theatre may be entertaining enough. However, for those of us who know the original, the compromises and excisions from the text make it a shadow of its former itself. Don’t blame film and television star Peter Dinklage who gives a vigorous performance in the title role. However, he is hampered by the adaptation by director Erica Schmidt who happens to be his wife. [more]

All the Fine Boys

March 5, 2017

Playwright Erica Schmidt has a minor aptitude for believably snappy dialogue, but not much else. Her tired scenario is astonishingly familiar and offers no fresh insights. That adolescence is tough is about all there is. That territory has been mined in John Hughes’ films and numerous television shows. There was also the 1985 movie "Smooth Talk," starring Laura Dern and Treat Williams that was based on a Joyce Carol Oates short story. [more]