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Eric Sciotto

One Night Only: An Evening with Sutton Foster & Kelli O’Hara and The New York Pops

November 24, 2023

The pairing of Broadway legends Sutton Foster and Kelli O’Hara proved felicitous just like the previous pairing of Julie Andrews and Carol Burnett, with each lady using her special gifts: Foster was best in the comic moments and O’Hara was ravishing in the semi-operatic musical numbers, just as had been Burnett and Andrews in their three concerts. Backed by the glorious New York Pops orchestra led by Maestro Steven Reineke, Foster and O’Hara made the most of this unique concert staging directed by Dick Scanlan. The many uncredited costume changes put the singers in either stunning red, black or white outfits. Throughout the evening the singers were supported by their own music directors at the piano, Dan Lipton for Kelli O’Hara and Michael Rafter for Sutton Foster. "One Night Only: An Evening with Sutton Foster & Kelli O’Hara" proved to be a memorable evening and one that is hoped to be the first of many. [more]

Attack of the Elvis Impersonators

June 19, 2017

Lazarus’ score is an entertaining blend of rock, pop and show tunes.   None of Elvis Presley’s actual songs are heard, but there are a number of clever takeoffs such as “Viva Milwaukee!” and “Spread the Word of Hound Dog.” His good-natured book is a shambles.  The serious, campy and satirical elements don’t connect.  The plot is crammed and wayward.  It recalls the 1960’s "Batman" television show as well as counterculture fantasies such as the 1968 film "Wild in The Streets" and Brian De Palma’s movie, "The Phantom of The Paradise." [more]

Something Rotten!

May 4, 2015

"Something Rotten!" isn’t just for insiders, though. Its pleasures are multiple: a divinely hyper cast led by Mr. d’Arcy James, John Cariani (sweet and lovable as Nick Bottom’s feckless younger brother, Nigel) and Christian Borle (manically over the top as a rock star Shakespeare); a fabulously tongue-in-cheek Tudor-ish set and costumes (Scott Pask and Gregg Barnes); a bouncy, funny score (Wayne Kirkpatrick and Karey Kirkpatrick); and the wittiest, non-stop choreography on Broadway (Casey Nicholaw who also directed). Mr. Nicholaw’s pacing is breathtaking. It’s almost too exhausting to keep up with the unstoppable cast. [more]