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Emma Kikue

what you are now

March 21, 2022

As a play about neuroscience, Sam Chanse’s "what you are now" needs a great deal more data and information. As a play about the plight of Cambodian refugees, what are you now needs to be clearer and less convoluted, although ultimately it is quite powerful and moving. Informative about the startling situation of these refugees, the play needs to be seen and heard, but in this form it defeats its own purposes by being confusing in chronology and not offering the drama behind the science of trauma and memory. [more]

Fruiting Bodies

May 1, 2019

With "Bodies," playwright Sam Chanse attempts to explore the realities of Japanese-American culture in the 21st century, but gets lost in the process. Bodies is at its core an exploration of familial ties and meaningful human connections, as is made clear by the time it reaches its multiple emotional climaxes. Its monologues about mushrooms and self-worth suggest a more ambitious artistic treatise, but ultimately weaken those other core themes. [more]

God Said This

February 11, 2019

If this family seems familiar, Winkler wrote about them in her 2016 play, "Kentucky," set seven years ago, when Hiro returned home for the first time from NYC in order to stop her sister’s wedding. Author Winkler, a Japanese-American, wrote the play sitting by her mother’s bedside in a hospital in Lexington, Kentucky, while her mother dealt with an aggressive form of cancer and she does have a sister who is a born-again Christian, though nothing like Sophie. While the play has an air of authenticity, most of the family are so unpleasant and unlikable that it is hard to penetrate behind their armor and facades. [more]