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The Choir of St. John’s College, Cambridge

April 20, 2016

Since the 1670’s, the Choir has consisted of voices ranging from bass to treble, all students at St. John's College or the College School. There are currently six basses, five tenors, four counter-tenors and seventeen trebles; of the trebles – two or three of whom are no bigger than buttons – there currently appear to be thirteen families represented. In some senses, the trebles are the stars of the show: that such young boys should demonstrate such consistently high levels of both innate musicianship and disciplined formal training is remarkable. The sweetness of tone inherent to boys' soprano voices is not like anything else: its combined ethereality of the moment and promise of future sturdiness make it a perfect instrument for the invocation of angels, heavenly beauty and divine wisdom. [more]

Paul Taylor’s American Modern Dance 2015

April 4, 2015

What became clear over the course of the four performances under review attended were the subtle changes in Mr. Taylor’s work over the years, how his works have become less deep and more oddball. This was a terrific way to see everything from his delightfully lovely “white” ballet, “Aureole” (1962), to his most recent opus, “Death and the Damsel,” a dark, distorted—sadistic, even—view of female sexuality. No matter what period the works come from, and no matter what one thinks of them, they are always models of craftsmanship, design and musicality. [more]