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Eddie Canter

Remembering Robert Clary: From the Concentration Camps to Broadway and Hollywood

November 27, 2022

Clary scored a great success on Broadway in "Leonard Sillman’s New Faces of 1952."  My father, who enjoyed that show, recalled Eartha Kitt and Robert Clary as the standouts in the cast of largely-unknown up-and-coming performers that also included Paul Lynde, Alice Ghostley, Carol Lawrence, and Ronny Graham.  None of the performers were yet big names.  And the smart, fast-paced revue gave them important exposure.  (My father noted that this was an especially good revue, in a time when revues were still a staple of Broadway.  He missed the revues when revues fell out of fashion on Broadway.)  Producer/writer Leonard Sillman, whose various New Faces revues enlivened Broadway from the 1930’s through the 1960’s, helped advance the careers of plenty of talented newcomers over the years, beginning with Henry Fonda and Imogene Coca, the standouts in Sillman’s first revue in the series, "New Faces of 1934." [more]

On the Town with Chip Deffaa: On Fanny Brice and “Funny Girl”

June 6, 2022

I’ve often told friends what an impact "Funny Girl" had on me.  That was the show that made me fall completely, utterly, and permanently in love with Broadway. I was a teenager when I saw it—not quite 15.  I started taking  odd jobs to make some extra  money;  I stopped buying comic books;  I began skipping school lunches, too—I was trying to save every possible penny so I could  buy Broadway theater tickets. Theater became my top priority.   And as often as possible, I would go to see another Broadway show.  (Broadway was far more affordable then than it is now, and I was eager to check out everything—musicals, comedies, dramas. I could often get tickets to shows—up in the balcony--that didn’t cost much more than tickets to movies.)  "Funny Girl"—more than "My Fair Lady" or any other show I appreciated—was what got me really hooked on theater. And  I’m still grateful for that. [more]