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Dustin Hoffman

ON THE TOWN… with Chip Deffaa, January 6, 2019

January 6, 2019

No one loves Berlin's music more than I do. But the creators of this stage adaptation have tried to jam too many well-known songs into the show. I think that cutting a couple of the songs, and letting characters talk a bit more would give the show a more natural feel, and give it some needed moments to breathe. And help us bond more with characters. And if you want to add a song to express the characters' feelings, pick the very best songs for the scene--not just the best-known songs. [more]

Appreciation of Peter Hall by Stephen Unwin

September 25, 2017

This was a man who loved words, the exact turn of the phrase, its cadence and where the stress falls, whether in Shakespeare or Pinter, Beckett or Stoppard, and his commitment to the nuance of language lay at the heart of everything he did. He used to tell a story about working with Dustin Hoffman on The Merchant of Venice and being delighted when Dustin turned up to rehearsal one morning declaring that ‘you can’t improvise this shit’. For Peter, the detail of the language was everything. A young director mocked him as an ‘iambic fundamentalist’: Peter was thrilled. Words, words, words were everything. [more]