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Derek Klena

Jagged Little Pill

December 15, 2019

Given the personal nature of Morissette's artistic output, it might be surprising to learn that the Broadway version of Jagged Little Pill doesn't take the easy biographical route for its book, mimicking, say, the mega-popular "Beautiful: The Carole King Musical," whose subtitle pretty much says it all. Instead, Morissette's album (Glen Ballard co-wrote the music) and a few of her other songs support an entirely original story from theater-novice Diablo Cody, whose Oscar-winning screenplay for "Juno" was funny, affecting, and decidedly superficial. This same descriptive mixed bag also holds true for Jagged Little Pill, which rises above typical jukebox musical fare, but not as much as it could have, largely because Cody is interested in hot-button issues, not characters. [more]

On The Town…With Chip Deffaa…Sept 9, 2017

September 9, 2017

In the first half of her career, Barbara Cook was a top leading lady in musical theater, famously originating roles in such Broadway shows as “The Music Man” and “She Loves Me.” (Decades later, she could still sing for me at her home lines of “My White Knight” that had been cut from the score of “The Music Man” before it opened on Broadway in 1957.) [more]

Bridges of Madison County thoughts from Chip Deffaa’s July 17, 2014 column

July 17, 2014

It just seemed awfully strange to me, to hear no music from the year's best score on the Tony's–while we heard some not-very-impressive music from some shows that have not even reached Broadway yet. I wish we could have heard Kelli O'Hara and Steven Pasquale singing something from Bridges of Madison County. You'd think the producers of the Tony Awards would realize that if the best of Broadway is represented on the broadcast, we all win. [more]