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Davis McCallum

Stupid Fu**ing Bird

April 1, 2016

Posner has turned Chekhov’s four-act play into two-part meta-theater: not only do the actors acknowledge the audience and solicit our participation, but they each have a monologue addressed directly to us. The actors sit around the stage when they are not in a scene, almost like they are attending a rehearsal. Aside from the obvious use of contemporary American vernacular, Posner has fun with iconic Chekhov lines that have grown stale. When asked why she always wears black, Mosh at first says, “Black is slimming,” before giving her original answer (“I’m in mourning for my life.”) He has changed Mosh and Dev’s story, giving them a different ending. While Chekhov’s Konstantin talks of the theater needing new forms, Posner’s version is the very new form that was predicted all those years ago. Finally, Posner has added an epilogue in which the actors address the audience one by one and give us a new take on the original ending. [more]

Fashions for Men

March 16, 2015

Though totally unknown to Americans, Ferenc Molnár’s "Fashions for Men" is another treasure newly unearthed by the reliable Mint Theater. Davis McCallum’s polished and period-perfect production is not only vastly entertaining and enlightening about the human condition, but it should go a long way to making this play more widely known to the theater-going public. While the play is set in a world that is long gone, its contemporary relevance is based on the fact that it dramatizes the human comedy which will always be in fashion. [more]

The Few

May 18, 2014

Gideon Glick as Matthew is terrific, physically disappearing into his character so completely that he would not be recognizable in the street. Actors can get away with playing misfits as a collection of tics, so it's a great thing to see Glick dig deeper and infuse Matthew's every movement with his particular personality. [more]