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David Lee Huynh

ONCE UPON A (korean) TIME

September 1, 2022

Commissioned by the Ma-Yi Theater Company, Daniel K. Isaac’s brilliant "ONCE UPON A (korean) TIME" was born out of the actor-playwright’s realization that he knew way more about Shakespeare and the Western canon than his own rich Korean culture of folk tales and origin myths.  He has fashioned, over the course of five scenes, beautifully layered storytelling in situations clouded by utter despair, without sacrificing great brushstrokes of humor. [more]

The Merchant of Venice (Theater for a New Audience)

February 16, 2022

Arin Arbus, resident director at Theatre for a New Audience, staging her tenth classic for them took a great risk with her new production of Shakespeare’s The Merchant of Venice: not only putting this 1597 play in modern dress, she has made Venice diversely multicultural as well as having the Jewish Shylock played by an African American. All of these things might have backfired and looked out of place. Surprisingly it all works, due to her spare, stripped-down direction, her fine cast, the nearly bare stone setting by Riccardo Hernandez which suggests an elegant Greek amphitheater, and her star, John Douglas Thompson with whom she has worked four times before in an assortment of classics. Along with the work of voice director Andrew Wade, the diction is crystal clear and Shakespeare’s verse sounds conversational and newly minted. [more]

Mrs. Warren’s Profession

October 28, 2021

George Bernard Shaw’s once-banned problem comedy due to its controversial subject matter concerning prostitution, "Mrs. Warren’s Profession" has been given a stylish and elegant revival by the Gingold Theatrical Group which specializes in the plays of this master. As staged by artistic director David Staller and with a cast led by Karen Ziemba and Robert Cuccioli, the play is an entertaining story investigating hypocrisy in society, mother-daughter relationship, and the rights of women. While most of the shock value has worn off since the play was first written in 1893, the play’s message is still timely and relevant. Banned from the stage for 32 years in England after it was written, the play now seems to have come into its own with previous New York revivals that have starred such legendary actresses as Ruth Gordon, Lynn Redgrave, Uta Hagen and Dana Ivey. [more]