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David Hyman

The Sound Inside

October 30, 2019

On Broadway every once in a while writing, acting, directing and the technical production come together to profound, memorable effect.  Adam Rapp’s "The Sound Inside" at Studio 54 is a superb example of this phenomenon.  Originally staged at the Williamstown Theater Festival, the move to Broadway, and a much larger theater, works incredibly well. [more]

The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord

October 10, 2017

Although director Kimberly Senior who also piloted the Chicago production has staged the play with elegance, she never really turns up the heat so that there are not many sparks in Carter’s debate. Discord, yes; but no fireworks which might have made the discussion more dramatic. The play uses titles on the back wall to name each of the 14 scenes much in the manner of Brecht’s alienation effect. This breaks up the play but is not very informative. The device of the invisible fourth wall being a mirror in Wilson Chin’s all blue-grey interrogation room seems a gimmick to allow the men to face the audience directly for much of the play. [more]

The Treasurer

September 27, 2017

With her slim physique, flawless diction, melodiously husky voice and imperious bearing, Dunagan is commanding. She conveys the character’s arrogance, selfishness and harrowing mental decline due to dementia with steely flair. She forcefully embodies the archetypal distant mother who damages her children. [more]