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David Hayes

Martha Graham Dance Company: Spring Season 2018

April 23, 2018

"Ekstasis,” danced by PeiJu Chien-Pott, her hair loose, her costume a tight tube of form-fitting jersey (designed by Graham, herself), stood still as eerie clacking percussion and quiet woodwind music passed through her body, eventually causing her hips to jut from side to side and her bent arms to move in increasingly large circles.  “Ekstasis” is clearly a remnant from Graham’s days with the Denishawn company which specialized in soft-focused versions of ethnic dance forms from all over the world, using them for their decorative effect rather than expression of deep emotions.  Ms. Chien-Pott was terrific, unabashedly decorative, yet adding emotional depth through her personal style and commitment. [more]

New York Choral Society and The Mannes Orchestra: For Those We’ve Loved 

April 16, 2015

The Hindemith was beautifully performed and the second half of the concert was successful. But the first half, the Adams, was not a success. It was not an abject failure – Hayes wouldn't permit that – but the performance did not produce the kind of considered satisfaction that New York Choral Society concerts typically do. The reasons for this lay in the nature of Adams' piece and in particular features of the performance itself. [more]

New York Choral Society and Orchestra: Felix Mendelssohn’s “St. Paul” 

February 3, 2015

Led by David Hayes, Music Director, the New York Choral Society and Orchestra, together with first rate soloists and the Princeton Girlchoir, presented a magnificent performance of Felix Mendelssohn's magisterial 1836 oratorio "St. Paul" on January 25, 2015 in Carnegie Hall. Mendelssohn's oratorio is a huge work; on this afternoon, the work's sweeping monumentality was fully realized without any loss of musical subtlety, nuance or detail. From beginning to end, chorus and orchestra alike presented the music they cleared loved with unflagging energy and endlessly renewed, fresh passion. [more]