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Cynthia Mace

Skintight

June 29, 2018

Harmon’s new play resembles "Admissions," his last New York offering seen at Lincoln Center this March, in that it debates a topic from many sides but then fails to give us the author’s point of view on it at the end. Like all of his four plays so far it offers a strong character who has a very big gripe with the way things are and who attempts to change people accordingly. And like the others, "Skintight" is very funny while it deals with a serious topic but ultimately seems rather superficial, though here that maybe because of the extremely wealthy milieu in which money is no object and things magically appear via live-in servants. As is Harmon’s wont, the acerbic repartee is tossed about plentifully and as directed by Daniel Aukin, the six actors get the most out of their snappy lines. [more]

The Suitcase Under the Bed

August 27, 2017

Exquisitely produced by the Mint Theater, Jonathan Bank’s direction is leisurely and slow, which undercuts the theatricality of all but the last and the most satisfying one, 'The King of Spain’s Daughter," originally given four separate stage productions at the Abbey from 1935-1939 and two in London in 1939. Using a company of seven, the actors appear in varying combinations while all appear in the third play, "Holiday House. " Two of the plays end too abruptly calling out for a more substantial length, while one of the plays seems to go on too long. [more]