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Cookie Jordan

Clyde’s

December 4, 2021

As the manager of the restaurant, Aduba gives one of those big performances which are larger than life, but we have all met that type of people. She batters, insults, cajoles, berates her staff: is it to drive them to new heights or she is paying the world back for her tough life? Is she an incarnation of the devil or Satan? The gas fires that shoot out of the stage periodically make us wonder. When they receive a rave review in a local newspaper she belittles them as though they had nothing to do with the restaurant’s success. Wearing a new and colorful skintight outfit by Jennifer Moeller and multiple hairdos by Cookie Jordan each time she enters through the swings doors from the restaurant into the kitchen, she is a bigger and bigger surprise by what she says and what she threatens. As the dangerous and intimidating Clyde, she gives an indelible performance; just try to take your eyes off of her when she is onstage. [more]

Trouble in Mind

November 21, 2021

If Alice Childress’ 1955 Off Broadway hit, "Trouble in Mind," had transferred to Broadway in 1957 as it was scheduled to do, it would have been the first play by a Black playwright to reach the main stem. As if happened, the white producers wanted continual softening of the play’s ending and after two years of rewrites Childress threw in the towel. Ironically, this is exactly the theme of her backstage play. As things worked out, the softer Raisin in the Sun by Lorraine Hansberry, less critical of its white audience, became the first play by a Black woman writer to reach Broadway in 1959 and the rest is history. Now history is being remade with the Roundabout Theatre Company’s production of "Trouble in Mind" at Broadway’s American Airlines Theatre 64 years later with a fine cast led by Tony Award winners LaChanze and Chuck Cooper. [more]

Ain’t No Mo’

April 14, 2019

Delving into black life and attitudes now, the play is hilarious - but not laugh-out-loud funny. Unfortunately, in Stevie Walker-Webb’s fine production at The Public’s LuEsther Theater, the sketches go on too, long, way past their due date and long after we have gotten the point of the satire. Of the talented cast of six African American actors, five are all in the majority of the scenes while playwright Cooper appears in three solo sketches. [more]

Fabulation, or The Re-Education of Undine

December 20, 2018

A hard-edged picaresque fable is what playwright Lynn Nottage came up with in her enjoyable, "Fabulation, or The Re-Education of Undine" that premiered in 2004. A two-time Pulitzer-Prize winner for Drama, Ms. Nottage is in a lighter mood here but her comic sequences have a bracing tone and the dialogue has her customary skillful depth. We’re in the exaggerated territory of "Watermelon Man" and "Bonfire of the Vanities." [more]

A Midsummer Night’s Dream (Shakespeare in the Park)

August 5, 2017

Although the physical production has been well-thought-out, the script seems to have no interpretation other than a great deal of slapstick comedy which does not much register. The cast varies greatly in having found the core of their roles. Phylicia Rashad’s Titania is romantic and authoritative, while Richard Poe’s Oberon is wryly arch but ineffectual. Their fairy attendants are played by white haired and balding senior citizens but nothing much is made of this unusual casting. As Puck usually played by a youth or a dancer, Kristine Nielsen’s regular mannerisms are kept to a minimum but she seems much more amused by her mischief than the audience does. [more]

Cloud Nine

October 23, 2015

What is most remarkable about Caryl Churchill’s time traveling comedy "Cloud Nine" is that this prescient play about sexual politics and repression is now 36 years old, though it could have been written this year. Still a challenging gender-bending play, it asks us how far we think we have come from the Victorians in our attitudes about sex and identity. Set among the British in Africa during the repressed 1879 in Act I and back in England in liberated London in 1979 in Act II, the characters switch roles, genders and ages in the course of the evening. It isn’t obvious until the second half where the play is headed or how brilliant Churchill has been. Cloud Nine (which proves not to be a nirvana for the characters) challenges a great many of our strictly held beliefs about the way the world is or should be. [more]