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Clint Hromsco

It Came from Beyond

April 27, 2018

In the mode of vibrant Broadway leading ladies of the likes of Donna Murphy is the red haired and vivacious Kaitlyn Baldwin as the home economics teacher, Ms. Benson and as Private Jayne, the assistant to the nutty colonel. Cracking wise with the precision of Eve Arden and exhibiting superior singing and dance skills, Ms. Baldwin invests herself in the material with colossal force as if she were starring in "Wonderful Town" or an edition of "Forbidden Broadway." [more]

ON THE TOWN…. with CHIP DEFFAA , November 8, 2017

November 11, 2017

Memo to Broadway producers: You need to do everything you can to hook the next generation while they're young. I got hooked on theater because I saw the greatest performers, the greatest shows, from when I was very young. It would be very hard for a young person of today to see as much great theater as I did, growing up. When they read about some tickets going for a thousand bucks apiece, they might well conclude that theater isn't meant to be for them, but mostly for rich older folk. I have some friends who work in the theater who say they can't afford to take their families to shows. And that worries me. [more]

Lili Marlene

August 19, 2017

The songs never come up to the title song made famous by Marlene Dietrich who’s mentioned several times during the play. Antin’s attempt at playful seduction, “Take Me Home Tonight,” sung by the half-dressed cabaret girls and his German-style drinking song, “Fill My Stein with Beer” are pleasant pastiche, but “How Can Germany Survive?” (sung by the beleaguered Willi) and “Time to Stand Up” (sung by Josef) are heavy-handed and obvious. The lyrics throughout, even in the love songs are of the “moon-June” variety, but, as mentioned, are sung with great feeling. [more]