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Cheryl Faraone

Dogg’s Hamlet, Cahoot’s Macbeth

July 20, 2019

Dedicated to “creating socially and politically acute theatre for the 21st century” the PTP/NYC (Potomac Theatre Project) for their 33rd season offers this exuberant revival of Tom Stoppard’s 1979 two one-act plays, "Dogg’s Hamlet, Cahoot’s Macbeth," which cheekily satirize the theater and political oppression. Inspired by Wittgenstein and his fellow Czech playwright Pavel Kohout, Mr. Stoppard as he did in his monumental "Rosencrantz and Guildenstern Are Dead" again here ingeniously appropriates Shakespeare for his own ingenious purposes. [more]

The Possibilities & The After-Dinner Joke

July 25, 2018

If "The After-Dinner Joke"’s 66 scenes seem cinematic, that is due to the fact that it originally was a teleplay commissioned by BBC for the series "Plays for Today" examining public issues. Churchill chose to deal with the politics of charitable institutions. Selby, personal secretary to the sales manager, decides that she gets no fulfillment from her work and tells her boss Mr. Price that she is resigning to be a do-gooder. Price offers her a job at the same salary working as a campaign organizer raising funds in towns throughout Britain for one of the charities that he has founded. [more]

Arcadia

July 23, 2017

The joy of Stoppard’s writing comes to the fore as the second act characters debate what happened in the first act, too often getting it all wrong, misinterpreting the evidence or jumping to too many conclusions that aren’t justified. These actors are so enjoyable to watch that we can only sit back and enjoy their self-delusions. [more]

Judith & Vinegar Tom

July 21, 2015

For PTP/NYC (Potomac Theatre Project)’s 29th season they have chosen to pair one-acts by two of their favorite playwrights, Howard Barker and Caryl Churchill, who are also among Britain’s leading dramatic authors but who are not seen here as much as they ought to be. At first glance, the two plays could not be more different, but on closer examination they deal with similar themes, particular as both have strong historical women as their central characters, and offer modern sensibilities on ancient themes. As an addition to the more familiar work of these acclaimed contemporary writers, this makes a fascinating evening for those who follow British drama. [more]

Pentecost

July 28, 2014

Director Cheryl Faraone knows that to keep the ideas going it is vital to have her characters be seen as human as possible so that we are not confronted with stereotypes and agit-prop, so that we become invested, begin to put our own values on the line. I particularly liked Jonathan Tindle, Alex Draper, Nina Silver, Lawrence Nathanson and Matthew Ball. A unique, priceless artifact, a creation of the finest in the human psyche, precious to the world, versus a gypsy baby, a gypsy mother, a Bosnian, a Kurd, a Palestinian Kuwaiti, an Azeri, a Mozambican, an Afghan, a Ukrainian, a Russian, how can we decide? [more]