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Bill Irwin

Gary: A Sequel to Titus Andronicus

April 26, 2019

Playwright Taylor Mac’s Broadway debut, "Gary: A Sequel to Titus Andronicus," comes with a great many pluses: three consummate clowns, Nathan Lane, Kristine Nielsen and Julie White, directed by George C. Wolfe, and a terrific set by Santo Loquasto. This ribald yet philosophical downtown comedy is making its debut at the Booth Theatre, usually home to sedate, serious dramas. While low humor seems to be the name of the game, the play also has a good deal to say on various topics like comedy and tragedy, political systems, class structure, the little people who generally do the dirty work, and parodying Elizabethan revenge plays. The humor in Gary is not for everyone, but those who relish low comedy will have a ball as do the actors on stage. [more]

On Beckett

October 18, 2018

Along with excerpts from Godot and a couple of Beckett's novels, Irwin relies heavily on several "arcane" prose pieces from a collection Beckett dubbed "Texts for Nothing." Irwin was first introduced to them by one of his mentors, the late Joseph Chaikin, a much-respected figure in the theater world who, like Irwin, did a lot of everything well. Using all of these works as a guide, Irwin traces the development of not only Beckett's artistic voice but his Irish one, too, returning it to the place it originally called home. [more]

The Iceman Cometh

May 7, 2018

Denzel Washington, the raison d’être of this production (coming way too soon after several recent stagings), gives a boisterous, almost pleasant performance as Theodore Hickman, aka Hickey, who is the “Godot” of "Iceman," in whom the godforsaken characters put too much faith, a faith that, by the end of the play, is shown to be clearly misplaced. There is absolutely no foreboding in his interpretation.  He takes the glad-handing aspect of Hickey too literally so it is difficult to understand his sway over the denizens of Harry Hope’s saloon.  True, these depressives look forward to his regular visits, but Washington’s Hickey simply doesn’t fit in. He’s more worshiped than embraced. [more]

Babes in Toyland (MasterVoices)

May 1, 2017

Victor Herbert’s 1903 operetta "Babes in Toyland" was presented by MasterVoices (formerly The Collegiate Chorale), in a splendid concert production, to celebrate its 75th anniversary. Music director and artistic director, Ted Sperling superbly conducted the dynamic Orchestra of St. Luke's, and the terrific MasterVoices choral group, that appeared onstage with them. [more]

Bye Bye Birdie

April 1, 2009

Longbottom's choreography and musical staging is busy, busy, busy, but not joyful or inspired. As conducted by David Holcenberg, Strouse's bouncy score is played at too slow a pace, even with orchestrations by the legendary Jonathan Tunick. The comedy is played too broadly, and the love scenes are passionless. [more]