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Becky Ann Baker

Cardinal

February 2, 2018

Greg Pierce, the author of "Slowgirl" and "Kid Champion," has often tackled hot button issues. Here in Cardinal being given its world premiere at Second Stage Theater, he takes on urban renewal, Chinese entrepreneurs, racism and amateurs in politics, all worthy of investigation, in comic fashion. However, in this satire his plot seems to reinvent itself in every other scene, with twists and turns you can’t see coming. The three sets of characters (Lydia and Jeff, Nancy and Nat Prenchel, owners of the Bread & Button Bakery, and Chinese businessman Li-Wei Chen and his son Jason) seem totally separate until he brings them together in a rather improbable finale. He also loads the deck with such plot complications as Lydia and Jeff beginning an affair (as she looks so much like her sister who he dated in high school and hasn’t gotten over.) [more]

Peer Gynt

May 31, 2016

As with many CSC productions, the modern dress costumes (here designed by Ann Hould-Ward) are entirely in black and white. A small handful of props are used (a tin of buttons, an onion) but the production is basically reduced to its dialogue and story. Since there are no breaks of any kind, the scenes segue one into another without transitions. As a result the audience has to stay focused on the play or it finds itself somewhere new and doesn’t know how it arrived there. The lighting design by Jane Cox alternates between light and dark without creating much atmosphere on the empty stage. [more]

Barbecue

October 25, 2015

Robert O’Hara’s "Barbecue" may seem like a series of sleights of hand, but as a satirist of American culture, the playwright has a good deal to say about how the media shapes and defines our culture by how it reports the evens of the day. Under the direction of Ken Gash, Barbecue will take your breath away at its invention and cleverness while holding up the mirror to our natures, exactly what theater is supposed to do. [more]