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Barbara Erin Delo

Or, An Astronaut Play

January 8, 2020

A lively cast comprised of Harrison Unger, Caturah Brown, Tay Bass and Jonathan Cruz not only deliver exceptional performances during the inconsequential "Or, An Astronaut Play," they also demonstrate physical prowess. Continually hauling props and minimal furnishings about during its numerous brief scenes, this ensemble heroically aid in realizing the transitions. Alas, their commendable efforts are stymied by an unsatisfying play. The biggest laugh is gotten by the sight of a 1950’s B-movie-type space explorer helmet made out of cardboard. [more]

Sincerity Forever & Bad Penny (Mac Wellman Festival: Perfect Catastrophes)

September 21, 2019

The Flea Theater is honoring one of its co-founding members, playwright Mac Wellman, with a five play festival called “Perfect Catastrophes” which includes two world premieres and three revivals, with casts made up of The Bats, The Flea’s youthful resident company. First up are the one-act plays, "Sincerity Forever" and "Bad Penny," which require separate admissions but can be seen back to back on the same evening or afternoon. Any two of the plays in this festival are an immersive view of the avant-garde playwright who has created new works for almost 50 years and has won three Obie Awards. [more]

Parsons Dance Company 2018

May 22, 2018

The new work, “Microburst,” was a quartet performed to classical Indian music composed and played live by Avirodh Sharma.  Brilliant and audacious, “Microburst” took the four dancers, all wearing black, fringed outfits—by Barbara Erin Delo— through complex rhythmic patterns that magically fit together as if the four were having a hyperkinetic conversation with their feet.  The agility of the four dancers—Geena Pacareu, Eoghan Dillon, Zoey Anderson and Justus Whitfield—was breathtaking and entertaining. [more]

American Dance Platform: Fist and Heel Performance Group & Martha Graham Dance Company

January 16, 2016

Reggie Wilson has been combining dance and cultural anthropology for many years. His troupe, Fist & Heel Performance Group, is a living testament to his passion with “Moses(es), Moses(es),” his full-company work, a living and breathing example of his philosophy. In his program notes, Mr. Wilson explained that this work was based on “the many iterations of Moses in religious texts, and in mythical, canonical and ethnographic imaginations,” a big subject that, unfortunately, doesn’t lend itself to a dance interpretation. In fact, Mr. Wilson’s description, not withstanding, it would be difficult to find any reference to that Jewish Biblical giant in “Moses(es), Moses(es),” except when the entire company sang a song whose only word was “Moses.” [more]