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Arthur Sullivan

The Yeomen of the Guard

October 30, 2018

As for cast standouts, Greenwood excelled both musically and dramatically. His ringing, expressive vocals and crisp diction made him an audience favorite. And he created an effective character shift when the assertive and seemingly self-adoring Fairfax shaves his beard to become a rather diffident novice yeoman. Another notable turn came from David Auxier as the austere, thoughtful Sir Richard Cholmondeley, the Tower lieutenant. (Auxier also served as choreographer, providing a few athletic dance moves of the sort not always seen in Gilbert & Sullivan productions.) In terms of musicality, Benke’s Phoebe had a warm, winning, almost musical-theater sound, while Watson Chase prompted goose bumps with her vibrant top notes. The production’s orchestra sounded rich and full from overture to Act II finale. [more]

The Mikado Reimagined (NYGASP)

January 5, 2017

In keeping with Sullivan having been hit over the head, the cast is clothed in a motley collection: a combination of late Victorian and Japanese styles. Some are in all Japanese, some in all Victorian, most are in a combination of the two. Even the Victorian costumes have baroque additions to make them look exotic. The women all wear Victorian gowns with bustles open in the back just as though they had not finished dressing. The concept while colorful is quite a mess with every possible variation on stage at the same time. [more]

The Gondoliers

May 24, 2015

Founded by Albert Bergeret in 1974, he continues to this day as artistic director for the NYGASP, and on this occasion served as director and conductor, with an assist by choreographer David Auxier on the direction. A daunting and impressive achievement, this production also marked the conclusion of the first season in which the NYGASP performed in their new residence: NYU Skirball Center for the Performing Arts. A beautiful and state of the art theater, this is a space that can handle the grandeur and scale of a G&S piece. The theater provides remarkable production value, including a massive pit to house the almost thirty person orchestra. Thanks to the latest in acoustic engineering and innovation, the music of "The Gondoliers" was robust and invigorating. Led by Bergeret, the score filled every inch of the theater and truly transported the audience to another time and place. [more]