Anne Kauffman

The Bedwetter

June 16, 2022

Comedian Sarah Silverman has turned her bestselling memoir, "The Bedwetter: Stories of Courage, Redemption and Pee," into a musical with the help of co-book writer Joshua Harmon, author of this year’s award-winning "Prayer for the French Republic," and composer Adam Schlesinger ("Cry-Baby"), who passed away in 2020 just as the show was about to go into rehearsal prior to the pandemic. The new musical, simply called "The Bedwetter," like the book is by turns amusing, first hilarious and later serious. Anne Kauffman’s production has a top-notch cast headed by Bebe Neuwirth, Caissie Levy, Darren Goldstein and Rick Crom. [more]

The Lucky Ones

April 13, 2018

After the first song, “We are in the house where I grew up,” says Abigail, with the bacon and eggs and toast and tea in the morning, on the first day of a new school year. Adding to the confusion are Abigail’s many family members, including her sisters--one of whom is named Emily (Ashley Pérez Flanagan), not to be confused with her new friend Emma (Adina Verson)--her parents, her aunt (the stalwart Maryann Plunkett) and her cousins. Another part of the problem is that there are simply too many people to be contained on the small stage of the Connelly Theater, which may be why the majority of them begin the show in the balcony in the rear of the auditorium. (The Lucky Ones has been directed with an overcrowded zeal by Anne Kauffman.) [more]

Hundred Days

December 12, 2017

Written by The Bengsons and Sarah Gancher, the show presents a stylized take on the couple’s love at first sight meeting, the complications it caused with their partners at the time, their instant romance and quick marriage. It’s a New York story as they lived in Astoria, there’s mention of a memorable walk from Canal Street to The Cloisters, and a trip to Coney Island is pivotal. [more]

Mary Jane

October 4, 2017

The ambiguities in Mary Jane’s character seem to stem more from the writing than the acting: though her behavior remains dubious or questionable, Mary Jane comes to real life as enacted by Carrie Coon, who was such a memorable Honey in the recent Broadway revival of "Who’s Afraid of Virginia Woolf?" She’s a solid Mary Jane as well, but then, the character and her motives prove harder to pin down. The stalwart New York actress Brenda Wehle is a perfectly believable and no-nonsense Ruthie. The always reliable Liza Colón-Zayas is Alex’s caregiver Sherry, and Danaya Esperanza and Susan Pourfar are persuasive as, respectively Sherry’s niece and another mother with similar challenges. [more]

Marvin’s Room

July 18, 2017

If you saw the original New York production of "Marvin’s Room," you may find yourself feeling that the play was more effective when it was presented in the far more intimate environment of Playwrights Horizons. The otherwise fine cast--which also includes Luca Padovan as Charlie and Carmen Lacivita and Nedra McClyde in various roles-- simply gets lost in the expansive space of the American Airlines Theatre. [more]

A Life

October 25, 2016

Pierce coolly addresses the audience while delivering this mundane litany. His superb comic timing, long evident on the television situation comedy "Frasier," is on glorious display here. That quality combined with his dramatic depth and soothingly funny delivery makes this opening sequence mesmerizing. [more]

Smokefall

March 2, 2016

The play seems to be saying that life is full of suffering but love will conquer all, not a very new or profound message. One flashback (Violet and Daniel’s first date) is replayed at least three times with no new significance with each repeat. The title is a quote from T.S. Eliot’s "The Four Quartets": “The moment in the draughty church at smokefall/ Be remembered; involved with past and future./ Only through time time is conquered.” Unfortunately, like a great deal of late T.S. Eliot, these lines are too abstruse to have much bearing on the play. Smokefall is the sort of work that you either go with its whimsy or hate it. This is definitely not a play for all theatergoers. [more]

Marjorie Prime

December 16, 2015

Playwright Jordan Harrison is a graduate of the Brown University M.F.A. program and the recipient of several prestigious awards such as a Guggenheim Fellowship and the Kesselring Prize. On a technical level "Marjorie Prime" is expertly constructed and contains serviceable dialogue that propels the plot, but in totality it never rises above the level of an academic contrivance. The premise is a familiar but promising one, but in execution it is flat. The exposition and setup never really become emotionally involving and the closing revelations are consciously sensationalistic. [more]

The Nether

March 2, 2015

Playwright Jennifer Haley describes her work as delving “into ethics in virtual reality and the impact of technology on our human relationships, identity and desire.” On the basis of her New York debut with The Nether, we can expect some truly frightening dramas from her in the future. Even now, The Nether is such an extreme cautionary tale of the future of the Internet, that some may have difficulty sitting through it. [more]

The Muscles in Our Toes

July 7, 2014

Whoever said high school reunions are a good time was sorely mistaken. The food is lousy, the music is kitschy, hairlines are higher, waists are larger, and ancient resentments are suddenly relevant again. When you think about it, these milestones are hardly cause for celebration. [more]