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Ann Harada

ON THE TOWN… with Chip Deffaa, January 6, 2019

January 6, 2019

No one loves Berlin's music more than I do. But the creators of this stage adaptation have tried to jam too many well-known songs into the show. I think that cutting a couple of the songs, and letting characters talk a bit more would give the show a more natural feel, and give it some needed moments to breathe. And help us bond more with characters. And if you want to add a song to express the characters' feelings, pick the very best songs for the scene--not just the best-known songs. [more]

Pacific Overtures

May 23, 2017

The playing space designed by Doyle is a narrow white runway with a stool at one end and at the other, an archway created by continuing the flooring into the air on which Japanese writing appears as on a banner. The audience sits in stadium-type seating on either side of the playing space. Eschewing pageantry, the production puts the cast in very bland outfits of black, grey, white, blue or beige (costumes by Ann Hould-Ward), adding fabric or robes when absolutely necessary. The lighting by Jane Cox occasionally bathes the stage in either red or blue mood lights. [more]

Dear World

March 1, 2017

Having played such indomitable women as Mama Rose and Maria Callas, Daly slips into the role of the Madwoman of Chaillot which fits her like a glove with her crisp, authoritative delivery. As a woman who refuses to see reality for what it is, she gives a powerful rendition of “I Don’t Want to Know,” the show’s only hit song. She does a lovely job with the new number, “A Sensible Woman,” as well as the haunting ballad, “And I Was Beautiful.” [more]

Villain: DeBlanks

January 5, 2016

The personable Mr. Mitchell is the evening’s host and starts off the show by explaining the format. The six performers then go through the theater asking audience members for missing words that they then write in their scripts. After obtaining this material they then go onstage to sit in chairs with music stands on which they place their scripts and read from. For just over thirty minutes, they enact this silly and entertaining murder investigation with often funny results. [more]

AVENUE Q

March 2, 2003

Even the set is clever: Set designer Anna Louizos' two-dimensional backdrop of rundown townhouses is replete with doors and windows that pop open like the flaps on an Advent calendar, transforming segments of the stage into a disco, an apartment interior, or even the observation deck of the Empire State Building. [more]