Anita Welch Archives - TheaterScene.net

Anita Welch

Panama Hattie

October 29, 2019

While the original production had a great many one-of-a-kind stars supporting Merman, one of the distinctions of the York production is its cast: Montel has been able to obtain the services of Klea Blackhurst for Hattie Maloney, the Ethel Merman role. Blackhurst, you may know, has specialized in Merman for years including her tribute show "Everything the Traffic Will Allow" as well as appearing in the Merman roles in revivals of "Anything Goes," "Red, Hot and Blue," "Call Me Madam" and The York’s staging of "Happy Hunting." Montel has also surrounded her with seasoned theater veterans including Stephen Bogardus, Simon Jones, Gordon Stanley and David Green. The members of the singing and dancing chorus are equally talented. [more]

Little Rock

July 3, 2018

Using a tremendously talented and versatile cast of nine actors (three black male actors, three black female actors, as well as three white performers) playing from three roles to 12, the story of the year these heroic teenagers spent integrating the previously segregated high school becomes high drama. Rasean Davonte Johnson’s unit setting with its banks of stairs makes copious use of Wendall K. Harrington’s projection design for the many locations in the city of Little Rock, inside and outside of the school and the homes of the participants, as well as historical footage of the events and the people. "Little Rock" also includes snatches of 14 songs, some sung as choruses and others as solos including “Eyes on the Prize” and “We Shall Overcome,” which add a human dimension to the often startling events depicted. [more]

For the Last Time

June 9, 2015

As a follow-up to their musical based on Fitzgerald’s This Side of Paradise, lyricist/composer Nancy Harrow and writer/director Will Pomerantz have turned their sights on Nathaniel Hawthorne’s 1860 novel, "The Marble Faun." Renamed "For the Last Time," this new jazz musical has changed the setting from Rome in 1860 to New Orleans, circa 1950, and uses an all-Black cast to tell the original story. The show’s glory is its magnificent score, a combination of jazz and blues ballads, wonderfully sung by its cast of seven. The problem is that the show started as a concept album and to some extent hasn’t progressed very far from there: the book by Pomerantz and Harrow remains too thin to deal with the plot’s very deep themes. [more]